I had the pleasure and duty to take on the completion of Margaret Hood’s unfinished last piano. After all, it is a design by a woman, Nannette Streicher, daughter of the famous piano Viennese maker Andreas Stein, the replica was begun by a woman, so, as I told Margaret’s husband after her too early passing, a woman needs to finish it. I had it playing for its debut at the 2019 Boston Early Music Festival, but have continued to refine it’s workings, and plan to restring it this coming summer with Stephen Birkett’s Historic Music Wire and releather it with historically made leather from Jason Leininger. then look out! I’m practicing my Schubert!
As part of the Boston Early Music Festival Exhibition, Anne rented the Charles Shubert ballroom at the Courtyard Marriot Downtown Boston with the dream of turning it into a unique display and performance space for keyboards, builders, and players. She included builders Doug Maple (clavichords), A. David Moore (organs), and Robert Hicks, as well as two early keyboard organizations, The Westfield Center for Historic Keyboard Studies and The Historical Keyboard Society of North America. The center of the room was set up for concerts which occurred daily. It turned out to be an amazing salon that went on all day every day of the exhibition! It was also the debut of the Hood/Acker replica of an 1816 Nannette Streicher piano.
I’ve been very neglectful adding instruments I work on into this website. I work on so many and would rather be in the workshop or on the road than updating my websites.
This is a beautiful Steinway square ca. 1864 restored for a private owner in Pennsylvania. Yes, the lid went on before it went home. Original finish cleaned up. Massively damaged legs restored using wire armature and wood epoxy and stain to resculpt and faux finish. Sweet sounding instrument!
Several times a year, I make circuits where I work for various people and institutions and sometimes deliver and pick up instruments. Early August I traveled 3142 miles over two weeks, with stops outside Philadelphia, PA, Aiken, SC, delivered a new AMD Le Cadet harpsichord near Asheville, NC, Sumter SC, Savannah, GA, Davie, FL, Miami and Miami Beach, FL, Palm Beach, FL, Athens, GA, and more I can’t remember right now. A highlight was working at La Merced, a fabulous new reconstruction of a Spanish baroque chapel in North Miami, preparing a newly acquired harpsichord for a concert in September.
I had the great pleasure of exhibiting at the 2017 Boston Early Music Festival Exhibition with display of the beautiful instruments from the AMD line from Atelier Marc Ducornet along with two kits from The Paris Workshop and a clavichord of my own making. Julien Bailly and Lucie Ducornet came from France to help at the booth. We had a wonderful time, saw so many old friends, made new friends, and sold some instruments and kits!
I will be showing kits as well as debuting the AMD Logo line of harpsichords from the Atelier Marc Ducornet.
Working in Seattle for several clients on 19th century pianos, including an 1875 Erard, an 1860 Pleyel and others.
Custom built for Donna Mathilde Terreros de Garcia Conde, the niece of the Conde de Regla of Mexico, Count Don Pedro Romero de Terreros, both members of one of the wealthiest Spanish families that came to the New World in the 1700’s. This spectacular piano is veneered in burled amboyna with carvings in French walnut. I duplicated carvings to replace missing portions for this one of a kind project, along with the usual care required to conserve and restore the instrument.
Ca. 1806 Clementi square piano, sold by Yankiewicz, Liverpool.