Westfield Center Guest Presenter at Cornell CCHK Workshop
July 30-August 2, 2024: I was delighted to be invited to do a presentation at the Cornell Center for Historic Keyboards under the auspices of the Westfield Center for Keyboard Studies with my Hood Acker replica of an 1816 Nannette Streicher fortepiano. Attendees at the Workshop included many piano technicians wishing to learn about early pianos as well as students of and performers on early pianos. I gave a slide presentation and discussion of the place of a piano like my replica both within the Stein/Streicher piano building legacy and instruments of today, along with views into the process of construction. I then played 3 compositions by Nannette Streicher on my piano that demonstrated how it reflected well the Stein/Streicher touch and tonal aesthetic choices and design.
Debut concert on commissioned Acker harpsichord with Savannah Baroque
Savannah Baroque presented “A Baroque Celebration” featuring the debut of a highly decorated new harpsichord by ensemble member and harpsichord builder Anne Acker on March 7, 2023, 7:30 p.m. in the fantastic acoustic of St. Francis of the Islands, 590 Walthour Rd, Savannah, 31410. The program included joyful, celebratory, and dance inspired works. Along with more familiar names, the program continued the ensemble’s tradition of including works by long neglected brilliant women composers. The harpsichord was commissioned by a client in California so this will be the only chance to hear and see it before it leaves Savannah. Savannah Baroque members Marcy Brenner, viola da gamba and Ann Cafferty, baroque violin joined Anne playing the new harpsichord.
Reviving Nannette Streicher, Part 1: The 1816 Streicher piano replica project
Published in The Piano Technicians Journal (vol. 65, no. 2, Feb. 2022, pp 15-18): The first half of an article I wrote about my journey in completing a replica of an 1816 fortepiano by the famed piano builder Nannette Streicher that was begun by a mentor and friend, Margaret Hood, but who sadly passed away too young before its completion. Interestingly, the veneer of Cuban mahogany comes from a log, gifted to me by a Miami sculptor in my days there, that I sent to Margaret and that she sawed herself for the veneer. Now it has come back to me. The instrument debuted at the Boston Early Music Festival in 2019 and is now part of my personal collection.
Inaugural Concert of 2021 Acker harpsichord commissioned by Central United Methodist Church of Florence, SC
Savannah Baroque Members Anne Acker, harpsichord and Marcy Brenner, viola da gamba and tenor viol will play works by anonymous, Dowland, Kerll, Froberger, Marais,Sweelinck, Bach, and Vivaldi and others, for the inaugural concert of the 2021 Acker harpsichord commissioned by Central United Methodist Church of Florence, SC. In person limited attendance. 265 West Cheves Street, Florence, South Carolina 29501 | p: 843-662-3218 April 17, 2021 Central United Methodist Church 265 West Cheves St. Florence, SC 29501 3 p.m.
Hood/Acker Fortepiano after Nannette Streicher, 1816
I had the pleasure and duty to take on the completion of Margaret Hood’s unfinished last piano. After all, it is a design by a woman, Nannette Streicher, daughter of the famous piano Viennese maker Andreas Stein, the replica was begun by a woman, so, as I told Margaret’s husband after her too early passing, a woman needs to finish it. I had it playing for its debut at the 2019 Boston Early Music Festival, but have continued to refine it’s workings, and plan to restring it this coming summer with Stephen Birkett’s Historic Music Wire and releather it with historically made leather from Jason Leininger. then look out! I’m practicing my Schubert!
The Boston Early Music Festival Exhibition 2019
As part of the Boston Early Music Festival Exhibition, Anne rented the Charles Shubert ballroom at the Courtyard Marriot Downtown Boston with the dream of turning it into a unique display and performance space for keyboards, builders, and players. She included builders Doug Maple (clavichords), A. David Moore (organs), and Robert Hicks, as well as two early keyboard organizations, The Westfield Center for Historic Keyboard Studies and The Historical Keyboard Society of North America. The center of the room was set up for concerts which occurred daily. It turned out to be an amazing salon that went on all day every day of the exhibition! It was also the debut of the Hood/Acker replica of an 1816 Nannette Streicher piano.
1864 Steinway Square Grand Restoration
I’ve been very neglectful adding instruments I work on into this website. I work on so many and would rather be in the workshop or on the road than updating my websites.
This is a beautiful Steinway square ca. 1864 restored for a private owner in Pennsylvania. Yes, the lid went on before it went home. Original finish cleaned up. Massively damaged legs restored using wire armature and wood epoxy and stain to resculpt and faux finish. Sweet sounding instrument!
Summer Working Road Trip 2017
Several times a year, I make circuits where I work for various people and institutions and sometimes deliver and pick up instruments. Early August I traveled 3142 miles over two weeks, with stops outside Philadelphia, PA, Aiken, SC, delivered a new AMD Le Cadet harpsichord near Asheville, NC, Sumter SC, Savannah, GA, Davie, FL, Miami and Miami Beach, FL, Palm Beach, FL, Athens, GA, and more I can’t remember right now. A highlight was working at La Merced, a fabulous new reconstruction of a Spanish baroque chapel in North Miami, preparing a newly acquired harpsichord for a concert in September.
2017 Boston Early Music Festival Exhibition
I had the great pleasure of exhibiting at the 2017 Boston Early Music Festival Exhibition with display of the beautiful instruments from the AMD line from Atelier Marc Ducornet along with two kits from The Paris Workshop and a clavichord of my own making. Julien Bailly and Lucie Ducornet came from France to help at the booth. We had a wonderful time, saw so many old friends, made new friends, and sold some instruments and kits!
Boston Early Music Festival Exhibition, June 9-13, 2015
I once again have the great pleasure of exhibiting for myself and The Paris Workshop at The Boston Early Music Festival Exhibition.
I will be showing kits as well as debuting the AMD Logo line of harpsichords from the Atelier Marc Ducornet.